
watercolour/gouache/pencil crayon/ps
Edit: This is the original orientation of the painting. Adi Granov mentioned that the above composition and cropping killed the mood and flow of the piece and now that I look at it he's right (I just started drawing and fleshing out the final without enough planning beforehand). While the cropping is still tight in a few places, the version below seems more energetic in terms of how the eye goes through the composition. Thanks to Adi for catching that.